y Ben Wright (@iamzavagno | www.xgeeks.co.uk)
This review contains spoilers.
We begin the Season 2 finale deep in the heart of Khazad-dûm, with an emotional exchange between father and son, and the minor complication of a Balrog! Prince Durin (Owain Arthur) pleads with his father to end this madness, and King Durin (Peter Mullan) manages to overcome the influence of the ring. In a moment that epitomises the best aspects of fatherhood, he confronts the Balrog. As awe-inspiring as the Balrog’s appearance was, and as stunning as the visuals of King Durin’s standoff were, the exchange between father and son shone so brightly it made the Balrog’s flames pale in comparison. Bear McCreary’s emotional score elevated this scene to even greater heights, ensuring the season finale started as strongly as possible. Additionally, the lighting in this opening sequence added a striking visual layer to the storytelling. The king is dead… long live the King. However, the former Prince now faces competition for his father’s throne in the form of his brother, suggesting that the Dwarves’ Season 3 arc will focus on the succession of power and the aftermath of the King’s death. I wholeheartedly support this direction, and if Prince Durin needs diplomatic help, he can always count on his best friend…
In Rhûn, we see the semi-conclusion of the Stranger (Daniel Weyman) and Harfoot arc. The Dark Wizard declares himself one of “the five,” making it very plausible that he is one of the Blue Wizards. However, he could just as easily be an original character for the series, perhaps having slain the Blue Wizards and seized their power. There are several possible paths this story could take, but whichever direction they choose, Ciarán Hinds will undoubtedly deliver a fantastic performance, as his presence in the role is already evident. With the Stoors now homeless, their pilgrimage begins, and Nori is a fitting Harfoot to help guide them on their journey. Sadly, this means parting ways with “Grand-Elf,” though I have a feeling they’ll meet again. While their storyline this season wasn’t as prominent as in the first, I’ve enjoyed it, and the introduction of Tom Bombadil (Rory Kinnear) has been a major highlight for the series. The Stranger’s true identity came as no surprise, yet the reveal was handled with charm, and despite all the losses this season, this particular narrative, for now at least, ended on a positive note.
In Númenor, the only true highlight was Elendil (Lloyd Owen) receiving Narsil in a scene reminiscent of the exchange between Elrond and Aragorn in The Return of the King. I thoroughly enjoyed this nod. As for the rest, Númenor continues its path of self-destruction, edging closer to its inevitable downfall. Though I love The Rings of Power, the Númenor storyline is the one I’m least invested in, despite it featuring one of my favourite characters—Elendil. That’s not to say I don’t enjoy it, but it’s one disaster after another, making it difficult to cling to any hope. However, that’s kind of the point, and in that sense, it’s well-executed. The imagery of leaves falling from the tree, symbolising the city’s abandonment, was a beautifully layered visual. As for Season 3, it seems a forced marriage between the King and Queen Regent may be on the cards, but I’m most eager to see the reunion of Elendil and Isildur.
The Eregion arc reaches a dramatic conclusion, and I feel this narrative, along with its connected storylines, has been the strongest element of Season 2. This is exemplified by Charles Edwards’ final, magnificent performance as Lord Celebrimbor. The brutality of Sauron (Charlie Vickers) taunting Celebrimbor with arrows contrasted beautifully with the Smith Master’s unwavering resolve. In this violence, there was beauty and defiance. Vickers and Edwards had the best on-screen chemistry this season, delivering some of the most memorable scenes. Edwards will be a significant loss to the show, but with so many great performers, and potential new additions, the series’ future looks bright. I also believe Charlie Vickers hasn’t received enough credit for his role this season. He’s been a true anchor for the series. The scenes between Adar (Sam Hazeldine) and Galadriel (Morfydd Clark) were also compelling, from Adar’s true form to the Caesar-like betrayal. The latter’s brutality left a lasting impression on me. The fight between Sauron and Galadriel was enjoyable, particularly due to Vickers’ performance, as I feel Morfydd Clark has occasionally struggled with the choreography needed to convincingly portray a legendary warrior. Vickers, however, was exemplary, and the crown manoeuvre locking the blades was fantastic. As for what’s next, with Sauron now in possession of the nine rings, he will likely turn his focus towards the kingdoms of men. In terms of locations and characters, we may see some familiar places and names next season.
How does the season end? Although not confirmed, this “Elven sanctuary” feels like Rivendell to me. While I don’t expect it to resemble the Rivendell we’re familiar with just yet, we might see the foundations starting to form next season. After all, the Elves will need a base from which to challenge Sauron, as hinted by the final, epic scene of our Elven heroes standing tall, ready to bring the light of the Elves to counter Sauron’s darkness. Visually and sonically, this was as strong a closing scene as one could hope for. I began the episode with chills during the Khazad-dûm sequences, and I ended it feeling the same way. The finale closed on a note of hope, and although we won’t see this story to its conclusion in this show, we have something to hold onto for the years to come until the series returns.
As far as finales go, I found this one excellent, tying up subplots while advancing other storylines in exciting directions. I loved the first season, but somehow, this second season has elevated my passion and investment to even greater heights. From standout performances to breathtaking visuals, it’s hard not to fall in love with The Rings of Power. As with the first season, my only minor criticism is that some of the fight choreography could use a few extra seconds to fully showcase those elements. But that’s just nitpicking. The production is as good as it gets, and with so many in-camera effects and practical elements, the show excels on multiple levels. The only downside is the long wait ahead before we can see where these characters and stories go next.
Thank you for joining me on this unforgettable journey. A little behind-the-scenes note: the website stats have been incredibly positive for this show, which is encouraging, as it shows many of you are enjoying it as much as I am.
Tenn’ enomentielva!
What did you think of the finale of Season 2 of The Rings of Power? Let us know in the comments or find us on social media.
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